bridge bharat

The artwork made by Dinesh Soni depicts an aerial view of the Shatrunjay Tirth, an ancient Jain pilgrimage complex where devotees reach the site by climbing 3750 stone steps at the start of the day of Poornima (Full moon) of Kartik month (October-November). Such compositions are therefore generally referred to as Shatrunjay Pata. The key purpose of these paintings is to provide a panoramic view of the key shrines, the pilgrimage route, and details of significant features and episodes along the devotees' path. They thus often served as surrogates for those – often aged or infirm devotees - who were unable to visit the sites. The artist depicts the topographic context of Shatrunjay Hill with its two ridges. The first ridge is dominated by the main temple complex of Adinath whilst the other is the setting for nine smaller temple complexes patronized by Jain merchants with numerous gates, winding alleys, and gleaming white walls. The remainder of the canvas is filled in with devotees and monks snaking up the hill, smaller shrines enclosed in square grids, the flora and fauna of the region, and the Shatrunji River. The Pichwai is meant to evoke the bhava of the Tirth for those who couldn’t make it to the pilgrimage. Dinesh Soni has used natural stone colors to paint this intricate and elaborate scene on cotton cloth.

• Keep away from direct sunlight to preserve intricate detailing and natural colors.
• Do not touch the painted surface; handle only by the frame or edges.
• Dust gently with a soft, dry microfiber cloth—avoid water or cleaning sprays.
• Keep away from moisture, damp walls, or high humidity to prevent warping and color bleeding.
• Avoid placing under glass without a spacer; allow the painting to breathe.
• Frame using acid-free materials to prevent discoloration over time.
• Periodic inspection and professional conservation recommended for long-lasting beauty.